Last post before going back to the sea for the summer. I hand you over to MG, who I suspect will do the minimum required, a post a month, if that. I sometimes wonder whether I would not be better hanging around the coast and not relying on my friend but it gets a bit crowded around the coast in the summer when all of the other penguins breed and the seals are a constant worry. No, I will rely on the kindly nature of my e-pal and hope that he is up to maintaining my sparkling wit and depth of perception. So, as a last post this year; how about some Plato?
Ever since Plato first recounted the story for the first time in writing, as far as we know, probably sometime in the fourth century BCE, the story of a lost continent peopled by a 'superior' race beyond the pillars of Heracles and finally inundated by the sea has captured the imagination of humankind. Although the story was surely meant as just that, a story to illuminate how much more perfect fourth century Athens was than a preceding and apparently more advanced society, still people have sought for a possible reality behind this mythical land of Plato's imagining.
At first it was sought were Plato had placed it; somewhere in the Atlantic Ocean. Fanciful theories were built up to bolster the view that it somehow made a 'bridge' between the old world and the new; pyramids in Egypt and in Central America (despite their being markedly different in construction and in time) was only one of the more bizzare. However, the gradual acceptance of plate tectonics into mainstream science and the existence of the mid-Atlantic ridge, made the notion of a 'lost continent' buried north of the Azores ever more unlikely. Most were likely to think that Plato had simply made it all up. But did he?
With the growth of 'fantasy' literature after the Second World War, it became clear that whatever fantasy elements were woven into a story, still they had to have some grounding in humankind's experience to obtain relevance. Tolkien's Middle Earth, for example, bears a healthy resemblance, geographically, to North Western Europe (the 'drowning' of Numenor in the Second Age merely recapitulates the Atlantis myth and for the very same reasons) and the societies are heavily modelled upon, although idealised, previous human societies; Frank Herbert's Arrakis is modelled on Arab societies in the North African deserts. Schliemann's discovery of Troy, pretty much where Homer placed it, lent weight to the idea that an oral tradition, a 'folk memory', only later preserved in writing, could provide the basis on which 'stories' were concocted; the 'Epic of Gilgamesh' is another such story garnering such attention.
As a result, I think, people started to look for some evidence closer to Plato's homeland, which might provide a historical basis or substratum for his subsequent tale. And, in the nineteen sixties and seventies, some were convinced that they had found it; the eruption of the volcano on the island of Thera (now Santorini). This eruption, in a known geologically active region, was massive; it was believed thirty cubic kilometres of rock, ash and magma were vented in very short order. Pumice and ash lie over the remains of the caldera to a depth of forty feet. The eruption of Vesuvius in 79AD was minor by comparision; a mere ten cubic kilometeres but still enough to swamp and bury Pompeii and Heraculanium. It actually gets worse; current estimates favour sixty cubic kilometres of debris for the Thera eruption!
Although some evidence had been found on Santorini in the sixties of a Bronze Age settlement (Akrotiri) around the time of of the eruption, c1650BCE, most who favoured the theory that the eruption on Thera was a possible source for Plato's tale, were led to the conclusion that it was the Minoan Crete civilisation which had been devastated by the resulting tsunami and led to the decline of that civilisation over the succeeding one hundred and fifty years. The 'drowning of Atlantis' was simply put down to Plato's imagination; an embellishment to add drame to the story.
However, excavations have continued at Akrotiri and, like Pompeii, have continued to yield startling finds, which point to a sophisticated Bronze Age community living in the shadow of the volcano. There is evidence of trade with Minoan Crete and elsewhere; the presence of a sea-going, possibly merchant, navy; sophisticated pottery; written language; art in the form of murals on some of the walls of the buildings, preserved as in Pompeii to a miraculous degree, by the layers of ash which buried them for two thousand years. Perhaps Thera was once a 'colony' of Minoan Crete which developed somewhat differently divorced from the main civilisation, although they used the same Minoan Linear A script as the Minoans; perhaps it was a totally independent culture, merely influenced by trade; perhaps we will never know.
However, this much we can say: whatever caldera was there before 1650BCE it is largely vanished. All that remains of Thera is sections of the outermost rim; the central area has vanished, swallowed by the sea.
So, could an oral tradition, or perhaps one in Linear A, perhaps translated into Linear B or some other lost written language, survive to Plato's time; even if it was in a garbled, idealised version? Possibly. We may never have absolute certainty about Plato's source, whether imagination or 'folk legend' or a combination of both, but one thing seems to be certain. Humans will continue to seek after any possible truth in the Atlantis 'legend' and not only because they have an insatiable appetite for their history but because Utopias are forever attractive and no-one believes in Poseiden anymore .
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